I used to date this lady who was an avid skier. She was and probably is a big time Alta-prideful rider. That's the kind way to put it. A bit snobbish about her riding habits would be another way to put it.
I skied for one season and then picked up a snowboard and never went back. It was a Forum 154, wide board with Ralph Steadman artwork on it from "Fear and Loathing in Las Vegas." A heavy, but epic board.
Anyway, I was proud with my new board, so when I asked her if she would like to go riding together I was met with, "Snowboarders are slow and you can't ride Alta." The slow part I may have been able to compete with, but not the Alta part. I can say her response revealed where I stood with her socio-economically and legally. Sometimes life delivers those lessons in blunt ways.
It seems the lawsuit fought on the grounds that it was some sort of modern, affluent prejudice against those who ride the on one stich will not get the privilege of the hill East of Snowbird. The judge basically said the law's road map didn't draw a path for snowboarders to Alta.
The good new is we still have Snowbird, Brighton, Beaver, Snowbasin and all the other civilized resorts. It's better there. People ride hard and in harmony at those mountains.
Read the pro's report on it here.
Or just watch it.
The Aquabats stopped by our booth at Salt lake Comic Con today and talked to our pal Jon Smith
Ellis Ludwig-Leone, the brain behind Brooklyn band San Fermin, sat down with Richie T before their show at Salt Lake's Twilight Concert Series. He explains what San Fermin means, (how to pronounce it), and if Richie can join the band as the 9th member.
--- Classical Music Training ---
I was a music/composition student, classical music mostly…Most people in the band have the similar sort of thing going on...I think there’s a lot of different ways to write music and they’re all equally valid as long as you’re being honest. For us, there’s a lot of training, there’s a lot of intention in how we go about writing.
--- From One Man to Full Band ---
I wrote the record right when I graduated and then I took a while to record it. I just got my friends and random people to play on it. We got a record deal before ever really playing…We played one show with 15 people or something at Pianos, this tiny place in New York. Once we got that record deal suddenly it was like, “Oh, this has to become a band”…Allen and I, Allen’s the singer - the male singer, he and I have been best friends for years, since we were really young. Everyone else it was word of mouth or people maybe I went to college with or just, if you’re a musician in New York there’s a lot of through-the-grapevine sort of recommendations.
--- The Band Name ---
It’s the name of the running of the bulls festival. It’s the patron saint in Spain…I liked the idea of people putting themselves in danger for really no reason. It sort of feels like performing...["San Fermin"] was a lyric before it was a band name. So it was in the song “Torero” I think. Torero is Spanish for bullfighter as well. I was thinking about that and once I finished the record I was like, “Well, we gotta have a band name.”
--- Coordinating an 8-person Band ---
There are upsides and downsides for sure. I mean getting 8 people to Europe is a pretty costly endeavor. But when I wrote the record it was for like 20 something musicians, so I figured if you go any lower than 8, you’re starting to do a disservice to the music. Honestly, I chose the musicians as we were putting the band together such that I knew that they were good enough players that they could actually each do a number of things, in terms of the sax lines now sort of encompass sax and trombone and tuba. I’ve sort of smushed them all together into one player. It was an interesting compositional exercise to do that.
Author of fine novels like "Fight Club", "Choke", "Diary" and many more is visiting Salt Lake on a tour for his new book "Beautiful You." The new novel has to do more with women...well, women's pleasure to be specific. You get the idea.
What the hell! Here's the synopsis from the publisher, Doubleday:
From the author of Fight Club, the classic portrait of the damaged contemporary male psyche, now comes this novel about the apocalyptic marketing possibilities of female pleasure. Sisters will be doing it for themselves. And doing it. And doing it. And doing it some more . . . Penny Harrigan is a low-level associate in a big Manhattan law firm with an apartment in Queens and no love life at all. So it comes as a great shock when she finds herself invited to dinner by one C. Linus Maxwell, aka "Climax-Well," a software mega-billionaire and lover of the most gorgeous and accomplished women on earth. After dining at Manhattan's most exclusive restaurant, he whisks Penny off to a hotel suite in Paris, where he proceeds, notebook in hand, to bring her to previously undreamed-of heights of orgasmic pleasure for days on end. What's not to like? This: Penny discovers that she is a test subject for the final development of a line of sex toys to be marketed in a nationwide chain of boutiques called Beautiful You. So potent and effective are these devices that women by the millions line up outside the stores on opening day and then lock themselves in their room with them and stop coming out. Except for batteries. Maxwell's plan for erotically enabled world domination must be stopped. But how?
Anyway, he'll be visiting the University of Utah's Union Ballroom on October 29th for his first time ever in Salt Lake, so if you are a fan you won't want to miss this. You will have to purchase a ticket for the event, but included with your ticket you will get an autographed copy of the new book and general admission seating for the event.
Click here to purchase tickets.
You can also pre-order the book from Amazon here.
X96's Jon Smith chats up Fall Out Boy's Pete Wentz when the band was in town for the Monumentuor with Paramore and New Politics on August 13, 2014. They discuss weird Utah airport welcomes, mobile gaming and how the tour is going.
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